Collected here are lectures Philip Guston gave to students & conversations with with the few artists who understood what he was doing in the later era of his life, detailing why he left abstract painting, his love of Renaissance artists, and what drove him to create at all. Guston passion is so clear, unmarred by pretension or heady theory, presented here as some of the best writing I've ever read on what it means to make art.
— David
Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century
'Thank God for yellow ochre, cadmium red medium, and permanent green light'
How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing.
'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine
'Guston's paintings make us think hard' Aindrea Emelife, Guardian
About the Author
Philip Guston was born in Montreal, Quebec in 1913, the seventh child of Russian immigrants. Raised in Los Angeles and largely self-taught, he found inspiration for his early murals in the masters of the Italian Renaissance. Early acclaim as a figurative painter and years spent teaching in the mid-West were followed by a Prix de Rome in 1948-49, after which he moved permanently to New York and turned to abstraction, joining contemporaries Pollock, De Kooning, Kline and Rothko. In the mid-1960s, Guston withdrew from the New York art scene to work on his late figurative paintings in Woodstock until his death in 1980, weeks after the opening of a major retrospective. His work and writings continue to exert a powerful influence over contemporary artists, and he is widely acknowledged as one of the most important American painters of the past century.
Praise For…
Philip Guston's work gathers strength with the passing of time. During his lifetime he seemed an outsider, but now the world of painting seems to have regrouped around him. This book captures the breadth and depth of his thinking, and also captures the feeling of an intensely lively era when artists like Cage, Feldman and Guston felt that making art was a branch of philosophy. I think everybody interested in the evolution of culture should read this thought-provoking and timely book - Brian Eno -
Vital in grasping Guston's contribution to post-war American art and his abiding significance to contemporary painters - Ben Luke - The Art Newspaper
An appealing little book ... A pocketsized portfolio of Philip Guston's writings, talks and interviews ... It includes a joyous appreciation of the Renaissance master Piero della Francesca ... advice to art students ... [and] insights into what makes a great artist tick - Stephen Smith - The Times
This expertly curated selection of Guston's writings, talks and interviews draws together the artist's most incisive reflections on iconography and abstraction, metaphysics and mysticism, and the nature of painting and drawing... If you've never heard of him, this is a great introduction; if you have, this book will deepen your knowledge and understanding - - Creative Boom
